Environmental Studies (Reissue)

Second album from 1982 that saw African Head Charge working manipulated and vari-speeded 1/4 inch tape loops that were re-recorded back to the multi-track, soaked in reverb and delay, and then applied to the performances of the musicians, not to mention extensive use of found sounds and field recordings, hence the title.

The brainchild of Adrian Sherwood and percussionist Bonjo Iyabinghi Noah, the group forged their own undefinable sound on these early albums which sound eerily contemporary, pre-dating the experimental bass music of labels such as Hyperdub and Tectonic.