"Black boys have a whole world of complexity that society makes us stomp out of ourselves". Language, Bryndon Cook's full-length debut as Starchild and The New Romantic, communicates his refusal to do so.
Describing himself early-on as a “young romantic boy from Maryland," Cook has long been a dreamer, a student of black music’s rich lineage and its intersection with pop. He's drawn to landmark moments where artists have found truth in darkness; the diverse language of music living in their core. This record is his; lifting off from the monochrome world of Crucial, his 2016 EP on Ghostly International, up towards a dazzling crimson blood-rush of sky-high defiance and autonomy.
On Language, Cook refines his phonics for funk, electro, and R&B, and arrives at a revelation, best summarized by a single motto: "my sensitivity is my strength." Even if the valleys of their relationship were debilitating — a "black goth realm" to his soul, as Cook puts it — he often overlooks them in hopes of more peaks, more light, resulting in his most earnest, warm-hearted material to date. Take the tender single, Hangin On. Cook beams above a prismatic soul-tinged shule and luminescent keys, still visited by the past yet at peace with the present. The pitch is far more pointed on the album's title track, a vibrant, funk-fueled opener that wastes little time making its purpose heard. "Should have stuck with me kid," Cook begins, as nasty as he is rapturous. By its end, he's in full control. "Can I get a witness?" He screams, invoking the power of an affirmation ushered from church aisles into the lexicon by Kirk Franklin.
Sonically and spiritually, Cook finds guidance in grand standards: looking up to producers Jimmy Jam and Terry Lewis, studying their contributions to the New Jack Swing era and pop music at large. Touchstone statements like Janet Jackson's Control, Michael Jackson's Bad, and Prince's 1999; singular breakout LPs from Terence Trent D'Arby and Bobby Brown; the honesty of Bruce Springsteen's Nebraska and Carole King's Tapestry; the ingenuity of Laurie Anderson. Cook also reflects on recent years with Solange, as part of her touring band, and collaborations with Dev Hynes aka Blood Orange, as reminders of artistic individuality. "Being around them now urges me to find my own way of delivering my own messages."Cook expands his message and its impact by arranging talents.
For the first time, sessions included members of his band, The New Romantic, allowing for keyboard / synth parts to be recorded straight-through, with no punch-ins, and a more dynamic atmosphere overall. Further, Cook recruits The Newark Boys Chorus to underscore the most poignant lines of "Boys Choir," giving them the entire stage for the coda: "Be it understood. / This love is mine." Moves like this get to the root of the record: a contemplation of the boyhood that never truly leaves us. "In the black community, any sign of femininity or childlike wonder is often misconstrued as weakness, because society has always expected us to be strong. They prey on us as kids and take us to prison like adults. They kill us on the street. They take everything from us and never say thank you."
Language is the sound of Bryndon Cook eloquently occupying his space without apology, envisioning a world where the crimson qualities of sensitivity and softness aren’t shamed, they are celebrated as magic.
3. Only If U Knew
4. Hands Off
5. Hangin On
6. Black Diamond
7. Ophelia's Room
8. Some People I Know
9. Can I Come Over?
11. Good Stuff
12. Boys Choir
13. Lost Boys
14. Hand To God