Okkervil River's Down the River of Golden Dreams takes the band's hallmarks - lush, eclectic orchestration that evokes chamber pop and soul, lapel-gripping emotional urgency, and the lyrical, direct songwriting of frontman Will Sheff - and expands and elevates them in service of a stunningly ambitious set of new songs.
If last year's Don't Fall in Love with Everyone You See was the middle of the darkest night of the year, Down the River of Golden Dreams is the earliest light of a morning that could either bring the first breeze of spring or a battalion of tornadoes. On it the band stretches their wings, they shake off the fear and trepidation of the last record and try to look life in the face, emboldened by distorted blasts of Wurlitzer, guttural stabs of Hammond organ, urbane strings, and jaunty horns that could be the work of a shitfaced Canadian Brass. Down the River of Golden Dreams combines with Okkervil's trademark melancholy a sense of drama and play at which the last album only hinted. It oozes the band's signature string-destroying folk-rock attack and umbilical chamber-pop swoon, but it also echoes the venomous cabaret of Jacques Brel, the off-kilter swagger of the Faces and Bob Dylan's Blonde On Blonde, and the dusky balladry of Nick Cave. In addition, it displays a new confidence in frontman Will Sheff, whose concise, literary lyrics and emotionally direct delivery are rapidly distinguishing him as one of rock music's best new songwriters.
- Down The River Of Golden Dreams
- It Ends With A Fall
- For the Enemy
- Blanket and Crib
- The War Criminal Rises and Speaks
- The Velocity of Saul at the Time of his Conversion
- Dead Faces
- Maine Island Lovers
- Song About a Star
- Seas Too Far to Reach