Khruangbin’s fourth studio album, A La Sala (“To the Room” in Spanish), is an exercise in returning in order to go further, and doing so on your own terms. It continues the mystery and sanctity that is the key to how bassist Laura Lee Ochoa, drummer Donald “DJ” Johnson, Jr. and guitarist Mark “Marko” Speer approach music. It’s a gorgeously airy record completed only in the company of the group’s longtime engineer Steve Christensen, with minimal overdubs. It’s a window onto the bounties powering Khruangbin’s vision, a reimagining and refuelling for the long haul ahead. A La Sala scales Khruangbin down to scale up, a creative strategy with the future in mind.
The trio’s collective musical DNA, the years spent constructing it in Houston’s local-meets-global cultural stew, ensures the band continues to sound like no one but itself. A cascade of crisp melodies emanates from Marko’s reverb-heavy electric, dancing gently around Laura Lee’s minimalist almost-dub bass triangles, while DJ’s drums serve as the tightened-up pocket and unwavering dance-floor on which all this movement takes place.
Tracklist
- Fifteen Fifty-Three
- May Ninth
- ADA Jean
- Farolim de Felgueiras
- Pon Pón
- Todavía Viva
- Juegos Y Nubes
- Hold Me up (Thank You)
- Caja de la Sala
- Three From Two
- A Love International
- Les Petits Gris
