Hen’s Teeth is Iron & Wine’s eighth album and Sam Beam’s sixth for Sub Pop. Written and recorded during the same stretch as Light Verse, the songs came together with a close circle of collaborators. Enlisting an ensemble of David Garza, Sebastian Steinberg, Tyler Chester and Paul Cartwright, Beam’s familiar folk songwriting sounds even warmer, with flashes of tropicalia and jazz underscoring a record guided by collaboration. - Flying Out
“I’ve always wanted to use that title,” Sam Beamsays ofHen’s Teeth, his eighth full-length albumandhis sixth forSub Pop Records. “I just love it. To me it suggests the impossible. Hen’s teeth do not exist.Andthat’s what this record felt like: a gift that shouldn’t be there but it is. An impossible thing but it’s real.”
Hen’s Teethandhis previous album,Light Verse, are siblings of a sort. They were recorded during the same sessions after a year-long dry spell, with the same band, at Waystation studio in Laurel Canyon. “When I’ve been on a writing kick,andthe band can meet me where I’m at, they push me into something I hadn’t imagined. I’m at a point in my life where spontaneity is a lot more important to me. I don’t have as much to prove as I used to. I’m a lot freerandI love making music more than ever. There are no right or wrong answers. You just pray for your luckandtry your best.” In this case prayers were answeredandluck struck hard. The musicians cohered so quicklyandinspired each other so much that they were often getting songs recorded in just a few takes, sometimes at the rate of two or three per day. The two albums might therefore be thought of as fraternal twins: they share DNAandcomplement each other but have distinct identitiesandare defined as much by their differences as their similarities.
The world ofHen’s Teeth is earthier, darker, more robustandmore tactile than that ofLight Verse. The songs have titles like “Roses,” “Robin’s Egg,” “DatesandDead People,” “Singing Saw.” “Run into the one you love forever / Laugh into each other’s empty mouth,” Beam sings on “Roses,” the album’s first track. It’s one of several songs in which lovers are depicted as so deeply entwined they physically merge. “PaperandStone” recalls that “But for the time we fell in two / You’d be meandI’d be you / One crust of bread could fit in our mouths / You’d breathe inandI’d let it out.”Andon “In Your Ocean,” we find Beam “Praying for dry ground / Though I only want to drown / When I find myself swimming in your ocean.”
Tracklist
01. Roses
02. Paper and Stone
03. Robin's Egg (feat. I'm With Her)
04. Singing Saw
05. In Your Ocean
06. Defiance, Ohio
07. Wait Up (feat. I'm With Her)
08. Grace Notes
09. Dates and Dead People
10. Half Measures
Tracklisting:
01. Roses 02. Paper and Stone 03. Robin's Egg (feat. I'm With Her) 04. Singing Saw 05. In Your Ocean 06. Defiance, Ohio 07. Wait Up (feat. I'm With Her) 08. Grace Notes 09. Dates and Dead People 10. Half Measures
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