Combat Rock / The People's Hall (Reissue)

Originally released in May 1982, ‘Combat Rock’ is the final album from The Clash of Joe Strummer, Mick Jones, Paul Simonon and Topper Headon. Featuring two of the band’s most well-known songs, ‘Should I Stay Or Should I Go’ and ‘Rock The Casbah’, plus favourites ‘Straight To Hell’ and ‘Know Your Rights’, it is both their biggest selling album and highest charting set in both the UK and US. 
 
Having returned to London following their pivotal 17-show residency at New York’s Bond’s Casino in 1981, the band rehearsed and recorded at The People’s Hall in the squatted Republic of Frestonia near Latimer Road in London and from there they embarked on a tour of the East and South East Asia, during which the album sleeve image was captured by Pennie Smith in Thailand. 
 
The tracks on ‘The People’s Hall’ chart the period from what was their last single Radio Clash right up to the release of Combat Rock, including unheard, rare and early versions of tracks.
 
The disc highlights a new version of ‘Know Your Rights’ which was recorded at The People’s Hall on the Rolling Stones Mobile Studio, and the previously unreleased instrumental ‘He Who Dares Or Is Tired’. Other notable tracks include ‘Futura 2000’, an unreleased original mix of ‘The Escapades of Futura 2000’, Mikey Dread’s ‘Radio One’, and the outtakes ‘The Fulham Connection’, previously known as ‘The Beautiful People Are Ugly Too’ as well as ‘Idle in Kangaroo Court’. 
 
‘Combat Rock’ is indicative of The Clash’s constant evolution and was influenced in part by the relatively recent end of the Vietnam War, particularly on ‘Sean Flynn’, inspired by the disappearance of the photojournalist and film star’s son. The band’s curiosity and range is illustrated by the many styles and voices here, notably poet Allen Ginsberg’s apocalyptic spoken word on ‘Ghetto Defendant’ and graffiti artist Futura’s rap on ‘Overpowered By Funk’. 
 
The Clash’s influence on punk, post-punk and indie rock is well documented and ‘Combat Rock’ specifically continues to inspire waves of rediscovery from new audiences, most notably with the use of ‘Should I Stay Or Should I Go’ as a prominent plot device in the first season of the Netflix smash ‘Stranger Things’. Meanwhile, ‘Straight To Hell’ remains instantly recognizable having been used in ‘Paper Planes’ by M.I.A. 

CD1

1. Know Your Rights
2. Car Jamming
3. Should I Stay Or Should I Go
4. Rock The Casbah
5. Red Angel Dragnet
6. Straight To Hell
7. Overpowered By Funk
8. Atom Tan
9. Sean Flynn
10. Ghetto Defendant
11. Inoculated City
12. Death Is A Star

CD2

1. Outside Bonds
2. Radio Clash
3. Futura 2000
4. First Night Back In London
5. Radio One - Mikey Dread
6. He Who Dares Or Is Tired*
7. Long Time Jerk
8. The Fulham Connection [aka The Beautiful People Are Ugly Too]
9. Midnight To Stevens
10. Sean Flynn
11. Idle In Kangaroo Court
12. Know Your Rights*

LP - SIDE A (Combat Rock)

1. Know Your Rights
2. Car Jamming
3. Should I Stay Or Should I Go
4. Rock The Casbah
5. Red Angel Dragnet
6. Straight To Hell

LP - SIDE B (Combat Rock)

1. Overpowered By Funk
2. Atom Tan
3. Sean Flynn
4. Ghetto Defendant
5. Inoculated City
6. Death Is A Star

LP - SIDE C (The People’s Hall)

1. Outside Bonds
2. Radio Clash
3. Futura 2000

LP - SIDE D (The People’s Hall)

1. First Night Back In London
2. Radio One - Mikey Dread
3. He Who Dares Or Is Tired*
4. Long Time Jerk
5. The Fulham Connection [aka The Beautiful People Are Ugly Too]

LP - SIDE E (The People’s Hall)

1. Midnight To Stevens
2. Sean Flynn
3. Idle In Kangaroo Court
4. Know Your Rights*

LP - SIDE F (NO AUDIO)

1. NO AUDIO