Available on Vinyl LP.
Following their reissues in 2011/2012, Hallelujah Picassos returned to the live scene, playing a handful of shows with the likes of Drab Doo Riffs, Bloodbags. Loud Ghost, and Labretta Suede and the Motel 6. The band continued onwards, writing some new music. After a series of singles, the fruits of their labours have finally come together on this LP.
Here then is proudly presented Voices of Exuberant Hellhounds, another chapter in the gospel of Hallelujah Picassos, building their own mythology.
Songs are inspired by Hymns, Psalms, Chants and Mantras with a secular perspective slant and inspiration from certain styles, woven into a twisted narrative with one constant: Rorschach’s melancholic vocals.
We have tunes about the Peasants from a Bruegel painting, the sculptures of Xavier Messerschmitt, immigration, and bankers.
The album is another example of Interpretive Expressionistic Variationism and should be seen as body of work with dramatically interconnected songs - the aim is to show the album as whole body of work rather than individual songs, with a continuity and a common denominator. Even though they sound different, they are tied... more
Following their reissues in 2011/2012, Hallelujah Picassos returned to the live scene, playing a handful of shows with the likes of Drab Doo Riffs, Bloodbags. Loud Ghost, and Labretta Suede and the Motel 6. The band continued onwards, writing some new music. After a series of singles, the fruits of their labours have finally come together on this LP.
Here then is proudly presented Voices of Exuberant Hellhounds, another chapter in the gospel of Hallelujah Picassos, building their own mythology.
Songs are inspired by Hymns, Psalms, Chants and Mantras with a secular perspective slant and inspiration from certain styles, woven into a twisted narrative with one constant: Rorschach’s melancholic vocals.
We have tunes about the Peasants from a Bruegel painting, the sculptures of Xavier Messerschmitt, immigration, and bankers.
The album is another example of Interpretive Expressionistic Variationism and should be seen as body of work with dramatically interconnected songs - the aim is to show the album as whole body of work rather than individual songs, with a continuity and a common denominator. Even though they sound different, they are tied... more
credits
released June 14, 2019
Written and produced by Hallelujah Picassos, recorded and engineered by Darryn Harkness at Tone Exchange. Salvadore engineered by Darryn Harkness and mixed by John Pain. Mastered by Angus McNaughton at Auralux. Cover art by John Pain, Roland Rorschach.
Written and produced by Hallelujah Picassos, recorded and engineered by Darryn Harkness at Tone Exchange. Salvadore engineered by Darryn Harkness and mixed by John Pain. Mastered by Angus McNaughton at Auralux. Cover art by John Pain, Roland Rorschach.