The unstoppable Bob Stanley (Saint Etienne) returns with a brand new collection, a sequel to krautrock and electronic compilation Cafe Exil, co-curated once again with the British Film Institute's Jason Wood. Fantastic Voyage - New Sounds for the European Canon 1977-1981 is Stanley and Wood's imagined soundtrack to Bowie and Iggy Pop's journeys across late 70s / early 80s Europe, collating the songs one might imagine the pairing heard while Bowie was recording the likes of Low, Lodger, and Heroes. From post-punk pioneers Cabaret Voltaire to Can's Holger Czukay, Patrick Cowley to Nite Flites era Walker Brothers, the seventeen tunes here reflect the influence Bowie was having on his own influences, and it's fascinating stuff. - Flying Out

By the turn of the 80s, the impact of David Bowie’s ground- breaking Berlin recordings – the synths, the alienation, the drily futuristic production – was being felt on music across Europe. What’s more, the records being made were reflecting back and influencing Bowie’s own work – 1979’s Lodger and 1980’s Scary Monsters owed a debt to strands of German kosmische (Holger Czukay), new electronica (Patrick Cowley, Harald Grosskopf), and the latest works from old friends and rivals like Robert Fripp, Peter Gabriel and Scott Walker, all of whom had been re-energised by the fizz of 1977.

Compiled by Saint Etienne’s Bob Stanley and the BFI’s Jason Wood, Fantastic Voyage is the companion album to their hugely successful Café Exil collection, which imagined the soundtrack to David Bowie and Iggy Pop’s trans-European train journeys in the mid-to-late seventies. “Fantastic Voyage” is what happened next.

Bowie’s influences and Bowie’s own influence were rebounding off each other as the 70s ended and the 80s began, notably in the emergent synthpop and new romantic scenes as well as through the music of enigmatic acts like the Associates and post-punk pioneers such as Cabaret Voltaire.

Like Low and Heroes, some of the tracks on Fantastic Voyage are spiked with tension (Grauzone’s ‘Eisbär’) while some share those albums’ sense of travel (Simple Minds’ ‘Theme for Great Cities’, Ryuichi Sakamoto’s ‘Riot in Lagos’) and others find common ground with “Lodger’s” dark, subtle humour (Thomas Leer’s ‘Tight as a Drum’, Fripp’s ‘Exposure’).

This is the thrilling, adventurous sound of European music before the watershed moment when Bowie would abandon art- pop for America and the emerging world of MTV with “Let’s Dance” in 1983. Fantastic Voyage soundtracks the few brief years when the echo chamber of Bowie, his inspirations, and his followers created an exciting, borderless music that was ready to challenge Anglo American influences.

Tracklist

1. Simple Minds - Theme for Great Cities
2. Cabaret Voltaire - Silent Command
3. Ryuichi Sakamoto - Riot in Lagos
4. Grauzone - Eisbar
5. The Associates - White Car in Germany
6. Patrick Cowley - Nightcrawler
7. Isabelle Mayereau - On a Trouvé
8. Chas Jankel - 3,000,000 Synths
9. Peter Gabriel - No Self Control
10. The Walker Brothers - Nite Flights
11. Thomas Leer - Tight as a Drum
12. Daryl Hall - The Farther Away I Am
13. Harald Grosskopf - So Weit, so Gut
14. Robert Fripp - Exposure
15. Areski Belkacem and Brigitte Fontaine - Patriarcat
16. Basil Kirchin - Silicon Chip
17. Holger Czukay - Ode to Perfume

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